PCA/ACA
Schedule for Saturday, April 20
8:00am to 9:30am
Film XX–Adaptation: Lassie Come Home, Lolita, and Pride and Prejudice (2005)
Film
McKenzie Caldwell
| Presenters | Presentation type | ||
|---|---|---|---|
| LassieCome Homeand its Legacy: Cognition and Ethics | Marwood Larson-Harris | Paper | |
| False Recognition and the Erasure of Dolores Haze from Lolita | Angela Francis | Paper | |
| The Girl on the Swing: An Analysis of Cues and Depression in Joe Wright’s Pride and Prejudice (2005) | McKenzie Caldwell | Paper |
History of Popular Culture Studies I
Popular Culture Studies: History of the Discipline
Michael Marsden
| Presenters | Presentation type | ||
|---|---|---|---|
| Culture of/for the Masses: How Copyright Registration Has Saved Popular Song and Dance at the Library of Congress | Libby Smigel | Paper | |
| The Desires of the Pit: Kenneth Burke as Critic of Popular Culture | Karen E. Whedbee | Paper | |
| Kent State, Campus Unrest, and the Shift in the Basic Cultural Paradigm | Michael Marsden | Paper |
Androids, Cyborgs, and Robots, Oh My! #2
Science Fiction and Fantasy
Christopher Ketcham
| Presenters | Presentation type | ||
|---|---|---|---|
| “It Was Hot the Night We Burned Chrome”: Towards co-existence in the Cyberworld and the Phenomenal World | Christopher Ketcham | Paper | |
| What a Spectacular Westworld: Hyperreality and the Construction of Authentic Sex and Violence in Quality Television | Sau Kuen Lo | Paper | |
| Before Blade Runner: HBO’s Westworld and Čapek’s R.U.R. | T. Ross Leasure | Paper |
VI. Anime: Japan
Asian Popular Culture
Wendy Goldberg
| Presenters | Presentation type | ||
|---|---|---|---|
| Out of Time: An Examination of Time Travel in Stein’s Gate, The Girl Who Leapt Through Time, and Mirai of the Future | Angela M Drummond-Mathews | Paper | |
| Anime’s Media Mix in First Gundam: Different Narratives in Television, Film, Novels, and Comics | William Ashbaugh | Paper | |
| Pedagogy as Drama: A Burkean Reading of Anime in the Classroom | Brent Allison | Paper |
Viral Dance: Video and the Popularization of Dance Styles
Dance & Dance Culture
Celeste Landeros
| Presenters | Presentation type | ||
|---|---|---|---|
| Popular Dance in K-Pop Performance | Ae Jin Han | Paper | |
| Emotes in MMOtion: an exploration of dance in Massively Multiplayer Online games | Patsy Gay | Paper | |
| Unity in Uniformity: The Millennium Dance Complex as a Transnational Nexus | Leigh-Alice Clark | Paper |
Technologies of Memory
Memory & Representation
| Presenters | Presentation type | ||
|---|---|---|---|
| “… in direct violation of Duke Ellington’s avowed wishes”: performance, recording, production and memory in the 1956 Newport Jazz Festival | Katherine Williams | Paper | |
| Place as Memory: Time Travel via Backgrounds in Immersive Digital Environments | Jason Margolis | Paper | |
| Questioning Memory: Does Authenticity Matter and If So, Who’s? | Brian DeLevie | Paper |
Black Lightning: The Representation of Black Lives in Film and Literature
African-American Culture
Elgie Sherrod
| Presenters | Presentation type | ||
|---|---|---|---|
| White Spectatorship and Black Pain in The Hate U Give | Candice Pipes | Paper | |
| “No Saint”: Fruitvale Station and Racial Misrepresentation in the Black Lives Matter Era | Andrew Sargent | Paper | |
| Black Lightning, Afrofuturist Imaginings, and the Quicksands of Re-Representing Black Superheroes | Ronald A. Tyson | Paper | |
| Teaching Media and Journalism at an HBCU: Composing a Resounding Cultural Chord | William B. Hart | Paper |
Shakespeare I
Shakespeare on Film and Television
| Presenters | Presentation type | ||
|---|---|---|---|
| The Shakespeare Experience in Translation: 2016 Donmar’s Warehouse Kings Cross - Julius Caesar, Henry IV and The Tempest | Carolina Conte | Paper | |
| “Our love is God”: Reading Heathers with Macbeth. | Kelsey Ridge | Paper | |
| ‘A Woman of this Valiant Spirit’: Performances of Queen Margaret in Two BBC Television Productions | Susan Kendrick | Paper |
When Worlds Collide: Fan Producer Interactions
Fan Culture & Theory
Lisa Macklem, Dominick Grace
| Presenters | Presentation type | ||
|---|---|---|---|
| Following a Creator/Creating Followers: Authors/Audiences in Supernatural | Dominick Grace Lisa Macklem | Paper | |
| Semi-Social Interaction: Understanding Face-To-Face Fan-Celebrity Interaction | Georgia Carroll | Paper |
LeBron James, Australian Moms, Adolescent Bodies, and American Audiences
Undergraduate Sessions
| Presenters | Presentation type | ||
|---|---|---|---|
| What if Joseph Campbell Could Dunk? A Rhetorical Analysis of the Narrative Constructed Around Lebron James | Kristian Bjorn Evans | Paper | |
| Getting Your Body Back: Australian Mom Bodies in Digital and Print Media | Delilah Glidden Jaime DeLuca | Creative work | |
| A Tale of Two Sexes: How Education and Pop Culture Constructs Adolescent Bodies | Lauren Odell Crisp | Paper | |
| An American Occupation: Kyu Sakamoto, an American Audience, and the Cold War Orientalism of “Sukiyaki” | Robyn Paige Perry | Paper | |
| Construction and Destruction of Ideologies in Edith Wharton’s The House of Mirth | Stacie Doughtie | Paper |