Schedule for Saturday, April 20

Technologies of Memory

Areas: Memory & Representation

Saturday, April 20, 2019 - 8:00am to 9:30am (Johnson)

	Presenters	Presentation type
“… in direct violation of Duke Ellington’s avowed wishes”: performance, recording, production and memory in the 1956 Newport Jazz Festival	Katherine Williams	Paper
Place as Memory: Time Travel via Backgrounds in Immersive Digital Environments	Jason Margolis	Paper
Questioning Memory: Does Authenticity Matter and If So, Who’s?	Brian DeLevie	Paper

Black Lightning: The Representation of Black Lives in Film and Literature

Areas: African-American Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Maryland C) Session chair: Elgie Sherrod

	Presenters	Presentation type
White Spectatorship and Black Pain in The Hate U Give	Candice Pipes	Paper
“No Saint”: Fruitvale Station and Racial Misrepresentation in the Black Lives Matter Era	Andrew Sargent	Paper
Black Lightning, Afrofuturist Imaginings, and the Quicksands of Re-Representing Black Superheroes	Ronald A. Tyson	Paper
Teaching Media and Journalism at an HBCU: Composing a Resounding Cultural Chord	William B. Hart	Paper

Shakespeare I

Areas: Shakespeare on Film and Television

Saturday, April 20, 2019 - 8:00am to 9:30am (Jefferson)

	Presenters	Presentation type
The Shakespeare Experience in Translation: 2016 Donmar’s Warehouse Kings Cross - Julius Caesar, Henry IV and The Tempest	Carolina Conte	Paper
“Our love is God”: Reading Heathers with Macbeth.	Kelsey Ridge	Paper
‘A Woman of this Valiant Spirit’: Performances of Queen Margaret in Two BBC Television Productions	Susan Kendrick	Paper

When Worlds Collide: Fan Producer Interactions

Areas: Fan Culture & Theory

Saturday, April 20, 2019 - 8:00am to 9:30am (Washington Room 3) Session chair: Lisa Macklem, Dominick Grace

	Presenters	Presentation type
Following a Creator/Creating Followers: Authors/Audiences in Supernatural	Dominick Grace Lisa Macklem	Paper
Semi-Social Interaction: Understanding Face-To-Face Fan-Celebrity Interaction	Georgia Carroll	Paper

LeBron James, Australian Moms, Adolescent Bodies, and American Audiences

Areas: Undergraduate Sessions

Saturday, April 20, 2019 - 8:00am to 9:30am (Madison A)

	Presenters	Presentation type
What if Joseph Campbell Could Dunk? A Rhetorical Analysis of the Narrative Constructed Around Lebron James	Kristian Bjorn Evans	Paper
Getting Your Body Back: Australian Mom Bodies in Digital and Print Media	Delilah Glidden Jaime DeLuca	Creative work
A Tale of Two Sexes: How Education and Pop Culture Constructs Adolescent Bodies	Lauren Odell Crisp	Paper
An American Occupation: Kyu Sakamoto, an American Audience, and the Cold War Orientalism of “Sukiyaki”	Robyn Paige Perry	Paper
Construction and Destruction of Ideologies in Edith Wharton’s The House of Mirth	Stacie Doughtie	Paper

Heavy Imagery: Fat Representation in Media

Areas: Fat Studies

Saturday, April 20, 2019 - 8:00am to 9:30am (Hoover) Session chair: Jeannine Gailey

	Presenters	Presentation type
Of Gloops and Goldbergs: An Analysis of Class and Fatness in American Children’s Films	Rachel Guldin	Paper
Fat Revenge: How Plus-Sized Women are Represented in Popular Television	Claire Elise Uhl	Paper
The Objectification of Fat Bodies through Stock Photography	Bobbi Reidinger	Paper
Fiction Meets Reality: Fat Representation in Dietland	Jeannine Gailey Hannah R Taylor	Paper

POETRY XIV. The Stories They Could Re-Tell: Poems of Myths & Tales

Areas: Poetry Studies and Creative Poetry

Saturday, April 20, 2019 - 8:00am to 9:30am (Washington Room 6) Session chair: Sarah Ann Winn

	Presenters	Presentation type
Of Gods and Superheroes: Myth Wherewith We See the World	Marissa Glover McLargin	Creative work
The Stories They Could Tell: Reimagining Mother Goose	Karen Bjork Kubin	Creative work
In the Witch’s Wet Pines: Poems from Says the Forest to the Girl	Sally Rosen Kindred	Creative work
We Join These Myths Already in Progress	Sarah Ann Winn	Creative work

XII: Neoliberal Concepts in Everyday Culture

Areas: Education, Teaching, History & Popular Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Virginia A) Session chair: Alyssa Jayne Martin

	Presenters	Presentation type
Seizing the Supernatural: Seizures as Narrative Devices Representing the Supernatural Body in Penny Dreadful and The Exorcism of Emily Rose	Alyssa Jayne Martin	Paper
Logical Revenge in Everyday Arguments of Privilege	Eric David Berg	Paper
The Erotics of Constructed Violation: Fangirls and the Profitability of Dubious Consent	Madison Hyman Maya Josepha Dworsky	Paper
Purity Equals Death: Undoing the Unified Field Theory of Purity Politics	Keridwen Luis	Paper

Music 20: David Bowie as Persona

Areas: Music

Saturday, April 20, 2019 - 8:00am to 9:30am (Washington Room 5) Session chair: Aaron Michael Kerley

	Presenters	Presentation type
Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic	Garrett J Cummins	Paper
David Bowie 1980: Rock and Roll Suicide	Susan Naomi Bernstein	Paper
At The Center of It All: Life, Death and the Thematic Re-Intergration of David Bowie	kathleen c johnson	Paper
David Bowie IS Ziggy Stardust (?): The Art of Eliding and Eluding Persona	Aaron Michael Kerley	Paper

XX. Analyses of Get Out

Areas: Horror (Text, Media, Culture)

Saturday, April 20, 2019 - 8:00am to 9:30am (Lincoln 2) Session chair: Cassandra S Reid

	Presenters	Presentation type
The Sunken Place Massacre: Abjection, Black Trauma, and The Final Boy in Get Out	Mikal Gaines	Paper
Psychological Horror and the Consequences of Fulfilled Violence	Marissa A Maldonado	Paper
“I want those things you see through:” Voyeurism as Prejudice and Oppression in Jordan Peele’s Get Out	Cassandra S Reid	Paper

PCA/ACA