PCA/ACA
Schedule for Saturday, April 20
8:00am to 9:30am
Shakespeare I
Shakespeare on Film and Television
| Presenters | Presentation type | ||
|---|---|---|---|
| The Shakespeare Experience in Translation: 2016 Donmar’s Warehouse Kings Cross - Julius Caesar, Henry IV and The Tempest | Carolina Conte | Paper | |
| “Our love is God”: Reading Heathers with Macbeth. | Kelsey Ridge | Paper | |
| ‘A Woman of this Valiant Spirit’: Performances of Queen Margaret in Two BBC Television Productions | Susan Kendrick | Paper |
When Worlds Collide: Fan Producer Interactions
Fan Culture & Theory
Lisa Macklem, Dominick Grace
| Presenters | Presentation type | ||
|---|---|---|---|
| Following a Creator/Creating Followers: Authors/Audiences in Supernatural | Dominick Grace Lisa Macklem | Paper | |
| Semi-Social Interaction: Understanding Face-To-Face Fan-Celebrity Interaction | Georgia Carroll | Paper |
LeBron James, Australian Moms, Adolescent Bodies, and American Audiences
Undergraduate Sessions
| Presenters | Presentation type | ||
|---|---|---|---|
| What if Joseph Campbell Could Dunk? A Rhetorical Analysis of the Narrative Constructed Around Lebron James | Kristian Bjorn Evans | Paper | |
| Getting Your Body Back: Australian Mom Bodies in Digital and Print Media | Delilah Glidden Jaime DeLuca | Creative work | |
| A Tale of Two Sexes: How Education and Pop Culture Constructs Adolescent Bodies | Lauren Odell Crisp | Paper | |
| An American Occupation: Kyu Sakamoto, an American Audience, and the Cold War Orientalism of “Sukiyaki” | Robyn Paige Perry | Paper | |
| Construction and Destruction of Ideologies in Edith Wharton’s The House of Mirth | Stacie Doughtie | Paper |
Heavy Imagery: Fat Representation in Media
Fat Studies
Jeannine Gailey
| Presenters | Presentation type | ||
|---|---|---|---|
| Of Gloops and Goldbergs: An Analysis of Class and Fatness in American Children’s Films | Rachel Guldin | Paper | |
| Fat Revenge: How Plus-Sized Women are Represented in Popular Television | Claire Elise Uhl | Paper | |
| The Objectification of Fat Bodies through Stock Photography | Bobbi Reidinger | Paper | |
| Fiction Meets Reality: Fat Representation in Dietland | Jeannine Gailey Hannah R Taylor | Paper |
POETRY XIV. The Stories They Could Re-Tell: Poems of Myths & Tales
Poetry Studies and Creative Poetry
Sarah Ann Winn
| Presenters | Presentation type | ||
|---|---|---|---|
| Of Gods and Superheroes: Myth Wherewith We See the World | Marissa Glover McLargin | Creative work | |
| The Stories They Could Tell: Reimagining Mother Goose | Karen Bjork Kubin | Creative work | |
| In the Witch’s Wet Pines: Poems from Says the Forest to the Girl | Sally Rosen Kindred | Creative work | |
| We Join These Myths Already in Progress | Sarah Ann Winn | Creative work |
XII: Neoliberal Concepts in Everyday Culture
Education, Teaching, History & Popular Culture
Alyssa Jayne Martin
| Presenters | Presentation type | ||
|---|---|---|---|
| Seizing the Supernatural: Seizures as Narrative Devices Representing the Supernatural Body in Penny Dreadful and The Exorcism of Emily Rose | Alyssa Jayne Martin | Paper | |
| Logical Revenge in Everyday Arguments of Privilege | Eric David Berg | Paper | |
| The Erotics of Constructed Violation: Fangirls and the Profitability of Dubious Consent | Madison Hyman Maya Josepha Dworsky | Paper | |
| Purity Equals Death: Undoing the Unified Field Theory of Purity Politics | Keridwen Luis | Paper |
Music 20: David Bowie as Persona
Music
Aaron Michael Kerley
| Presenters | Presentation type | ||
|---|---|---|---|
| Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic | Garrett J Cummins | Paper | |
| David Bowie 1980: Rock and Roll Suicide | Susan Naomi Bernstein | Paper | |
| At The Center of It All: Life, Death and the Thematic Re-Intergration of David Bowie | kathleen c johnson | Paper | |
| David Bowie IS Ziggy Stardust (?): The Art of Eliding and Eluding Persona | Aaron Michael Kerley | Paper |
XX. Analyses of Get Out
Horror (Text, Media, Culture)
Cassandra S Reid
| Presenters | Presentation type | ||
|---|---|---|---|
| The Sunken Place Massacre: Abjection, Black Trauma, and The Final Boy in Get Out | Mikal Gaines | Paper | |
| Psychological Horror and the Consequences of Fulfilled Violence | Marissa A Maldonado | Paper | |
| “I want those things you see through:” Voyeurism as Prejudice and Oppression in Jordan Peele’s Get Out | Cassandra S Reid | Paper |
Cozy Mysteries: Community and Catharsis
Mystery & Detective Fiction
| Presenters | Presentation type | ||
|---|---|---|---|
| Complicating Ideas of Community in Today’s Cozies | Marilyn Rye | Paper | |
| Arts-Based Research and Mysteries: querying trauma, gender and genre | Susan Rowland | Paper | |
| Cozy-Noir and Trauma in Riverdale Season 2 | Deborah Leiter | Paper | |
| Gender and Nostalgia in Agatha Christie’s Representation of War | Monica Lott | Paper |
Collage, Influence, Graphics, and Irony
Art & Design Culture
J Ken Stuckey
| Presenters | Presentation type | ||
|---|---|---|---|
| Where and When I Labor: The Black Worker in the Collages of Romare Bearden | J Ken Stuckey | Paper | |
| Sideshow Acts and Queasy Invitations: Ironic Titles in the Work of Francis Picabia and Kara Walker | Hannah W. Wong | Paper | |
| A Call to Presses: The Collective Graphics Workshop of the Creative Women’s Collective | Jennifer Noonan | Paper | |
| Craft, Color, & Contours: The Influence of Pop in Contemporary Art | Meganne Rosen | Paper |