Schedule for Saturday, April 20

Collage, Influence, Graphics, and Irony

Areas: Art & Design Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Tyler) Session chair: J Ken Stuckey

	Presenters	Presentation type
Where and When I Labor: The Black Worker in the Collages of Romare Bearden	J Ken Stuckey	Paper
Sideshow Acts and Queasy Invitations: Ironic Titles in the Work of Francis Picabia and Kara Walker	Hannah W. Wong	Paper
A Call to Presses: The Collective Graphics Workshop of the Creative Women’s Collective	Jennifer Noonan	Paper
Craft, Color, & Contours: The Influence of Pop in Contemporary Art	Meganne Rosen	Paper

Heavy Imagery: Fat Representation in Media

Areas: Fat Studies

Saturday, April 20, 2019 - 8:00am to 9:30am (Hoover) Session chair: Jeannine Gailey

	Presenters	Presentation type
Of Gloops and Goldbergs: An Analysis of Class and Fatness in American Children’s Films	Rachel Guldin	Paper
Fat Revenge: How Plus-Sized Women are Represented in Popular Television	Claire Elise Uhl	Paper
The Objectification of Fat Bodies through Stock Photography	Bobbi Reidinger	Paper
Fiction Meets Reality: Fat Representation in Dietland	Jeannine Gailey Hannah R Taylor	Paper

Science & Pop Culture VIII: Media Representations

Areas: Science & Popular Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Marriott Balcony A)

	Presenters	Presentation type
Pseudosciencefiction: the Rise and Range of Docufiction	Jessie Casteel	Paper

POETRY XIV. The Stories They Could Re-Tell: Poems of Myths & Tales

Areas: Poetry Studies and Creative Poetry

Saturday, April 20, 2019 - 8:00am to 9:30am (Washington Room 6) Session chair: Sarah Ann Winn

	Presenters	Presentation type
Of Gods and Superheroes: Myth Wherewith We See the World	Marissa Glover	Creative work
The Stories They Could Tell: Reimagining Mother Goose	Karen Bjork Kubin	Creative work
In the Witch’s Wet Pines: Poems from Says the Forest to the Girl	Sally Rosen Kindred	Creative work
We Join These Myths Already in Progress	Sarah Ann Winn	Creative work

Artificial Intelligence and Biopolitics

Areas: Philosophy and Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Marriot Balcony B) Session chair: Jason Eberl

	Presenters	Presentation type
THE DAWN OF MEN AND THE DIGITAL AGE: 2001: SPACE ODYSSEY REVISED	Shai Biderman	Paper
Awake (and pissed off)—On a productive tension between Westworld’s first and second seasons	Trip McCrossin	Paper
CYLONS ARE PEOPLE TOO: BATTLESTAR GALACTICA ON PERSONHOOD AND BIOPOLITICS	Jason Eberl	Paper
Replicant Birth; Moral Miscarriage	Brooke Rudow	Paper

XII: Neoliberal Concepts in Everyday Culture

Areas: Education, Teaching, History & Popular Culture

Saturday, April 20, 2019 - 8:00am to 9:30am (Virginia A) Session chair: Alyssa Jayne Martin

	Presenters	Presentation type
Seizing the Supernatural: Seizures as Narrative Devices Representing the Supernatural Body in Penny Dreadful and The Exorcism of Emily Rose	Alyssa Jayne Martin	Paper
Logical Revenge in Everyday Arguments of Privilege	Eric David Berg	Paper
The Erotics of Constructed Violation: Fangirls and the Profitability of Dubious Consent	Madison Hyman Maya Josepha Dworsky	Paper
Purity Equals Death: Undoing the Unified Field Theory of Purity Politics	Keridwen Luis	Paper

Film XX–Adaptation: Lassie Come Home, Lolita, and Pride and Prejudice (2005)

Areas: Film

Saturday, April 20, 2019 - 8:00am to 9:30am (Lincoln 4 ) Session chair: McKenzie Caldwell

	Presenters	Presentation type
LassieCome Homeand its Legacy: Cognition and Ethics	Marwood Larson-Harris	Paper
False Recognition and the Erasure of Dolores Haze from Lolita	Angela Francis	Paper
The Girl on the Swing: An Analysis of Cues and Depression in Joe Wright’s Pride and Prejudice (2005)	McKenzie Caldwell	Paper

Music 20: David Bowie as Persona

Areas: Music

Saturday, April 20, 2019 - 8:00am to 9:30am (Washington Room 5) Session chair: Aaron Michael Kerley

	Presenters	Presentation type
Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic Bowie’s Ch-Ch-Changes: From Persona-User to Persona-Critic	Garrett J Cummins	Paper
David Bowie 1980: Rock and Roll Suicide	Susan Naomi Bernstein	Paper
At The Center of It All: Life, Death and the Thematic Re-Intergration of David Bowie	kathleen c johnson	Paper
David Bowie IS Ziggy Stardust (?): The Art of Eliding and Eluding Persona	Aaron Michael Kerley	Paper

Androids, Cyborgs, and Robots, Oh My! #2

Areas: Science Fiction and Fantasy

Saturday, April 20, 2019 - 8:00am to 9:30am (Lincoln 6) Session chair: Christopher Ketcham

	Presenters	Presentation type
“It Was Hot the Night We Burned Chrome”: Towards co-existence in the Cyberworld and the Phenomenal World	Christopher Ketcham	Paper
What a Spectacular Westworld: Hyperreality and the Construction of Authentic Sex and Violence in Quality Television	Sau Kuen Lo	Paper
Before Blade Runner: HBO’s Westworld and Čapek’s R.U.R.	T. Ross Leasure	Paper

XX. Analyses of Get Out

Areas: Horror (Text, Media, Culture)

Saturday, April 20, 2019 - 8:00am to 9:30am (Lincoln 2) Session chair: Cass S Reid

	Presenters	Presentation type
The Sunken Place Massacre: Abjection, Black Trauma, and The Final Boy in Get Out	Mikal Gaines	Paper
Psychological Horror and the Consequences of Fulfilled Violence	Marissa A Maldonado	Paper
“I want those things you see through:” Voyeurism as Prejudice and Oppression in Jordan Peele’s Get Out	Cass S Reid	Paper

PCA/ACA